Sara Zurletti has born in Rome, where she has graduated in violin (1991) and in “Lettere” (1997). She had her PhD in “Music” at the University Paris 8, where she began teaching “Theory of musical interpretation”, in 2001-2002. Then she won the prestigious scholarship of the Istituto Italiano per gli Studi Storici (2002-2003), and she began teaching Aesthetics of Music at the University “Suor Orsola Benincasa” in Naples (2004-2010), and “Musical Education” at the University of Salerno (2011). Sara Zurletti teaches now “History and Aesthetics of Music” at the Conservatorio of Reggio Calabria. She has directed the italian part of the international research project “Enciclopedia Francisco Salina de Musica y Filosofia” (2013-2015), proposed by the University of Salamanca. Sara Zurletti has organised, and is regularly invited in, national and international meetings. She has published essays in Spain and France. She has edited books about Adorno (Una Ragione per la musica, 2005), and Mozart's Don Giovanni (Il dissoluto impunito. Mozart 1756-2006, 2007) and contemporary italian Musical Aesthetics (Punti e contrappunti. Voci dell'estetica musicale italiana, 2015). She is author of three monographs: Il concetto di materiale musicale in Th. W. Adorno (Il Mulino, Bologna 2006), Le dodici note del diavolo. Ideologia, struttura e musica nel Doctor Faustus di Th. Mann (Bibliopolis, Napoli 2011), and her last one Amore luminoso, ridente morte. Il mito di Tristano nella Morte a Venezia di Th. Mann (Castelvecchi, Roma 2016).
|